Happy New Year!

I’m a bit late in wishing all you lovely visitors to my website a prosperous and fruitful new year but here I am and I’m ready to make 2020 a musical year to plucking well remember. Just a few words tonight as I’ve got a lot of practice to be getting on with. Music makes me so happy and I love playing my harp at every opportunity! I wanted to share a couple of videos I’ve recently recorded of two songs that are very popular requests for weddings, but due to my slight lack of competence in the technical department, here are links to my Facebook and Soundcloud pages, where I’ve just uploaded two new wedding songs for 2020 and beyond.

My aim is to record a new track once a week. Last week was my take on the main theme from Out of Africa by John Barry. This week was my version of Ed Sheeran’s lilting love song, Perfect. You can also view videoclips on Instagram if you use it. Eventually I’d like to be able to produce basic videoclips (without having a complete technical meltdown) of me actually playing with the best sound quality I can achieve outside a studio.

As always, do let me know what you think and if you’d like me to make a short video or soundclip just for you! In the meantime, my focus is on the ppp’s - practice, practice and, you guessed it, playing! I’ve got some very exciting performances coming up this year - watch this space…

I love my job!

My stand

Neater and decluttered

I’m always keen to improve the services I offer. I’ve worked very hard over the past 2 years to develop my harp business and it feels like the tip of an immense iceberg at times. Learning to run my own business is a labour of love but at times it takes me so far away from the harp. I long to delve my fingers into those vibrant strings and practice for hours on end like I used to. I don’t have that luxury these days so any practice hours are precious. You could ask why I’m not practicing now but I know I need a certain kind of headspace to practice efficiently and this evening is earmarked for writing. It’s a sideline I’m trying to develop alongside my playing. Do you know anyone in need of my writing services?

With wedding fayre season in full swing, I have a confession to make - I’m hardly touching the harp. Only 2 months behind schedule, my brochure is almost ready to go to print and then I’ll start on the task of distributing it. Next, I’ll be updating my website and publicity materials. A few people have mentioned I’m not blonde anymore. I’ve really enjoyed my year of lightheadedness so in 2020, let’s see what happens. Watch this space - I’m embracing my darker side and maybe going back to my roots… I wonder what colour they are by now?

It’s so easy for me to get distracted. After an excellent day at Wortley Hall wedding fayre last weekend, I decided that I would address all the admin that evening after I’d had a bit of a rest. I emailed all you lovely couples who were so enthusiastic about my music and my offering and by 9pm I was ready for a quick social media post before calling it a day. In my haste to post, I forgot to share it to Facebook so if you’re not on Instagram or social media at all, you may have missed the snaps I’ve added to this post. If you haven’t met me yet and you’ve seen me looking a bit stern while I’m concentrating on my music, the ice cream photos might help you see I’m actually very friendly and approachable. Do come and say hello.

I’ve said it before and I’ll say it again - the best thing about fayres is the people I meet. I’ve worked alongside Graham Thewlis-Hardy and his wife Lisa from A Taste of Italy ice cream trike a fayre bit and I’ve sampled more than my fayre share of their amazing ice cream. With 97, yes, 97 flavours, I’ve got a lot more to sample. I have to retain myself, it’s so good. If you eat shop bought ice cream, Lisa and Graham’s gelati really are in a different parlour. It’s the “crème de la crème” of ice cream and it could be the perfect playful addition to your wedding. See photos below for some gratuitous food porn.

For balance, my stand was positioned next to a lovely friendly lady, Laura McNally. She’s a very knowledgeable personal trainer and she was so generous in offering me tips on my posture and how I can improve it away from the harp. Taking care of yourselves before your wedding is such a vital aspect that’s often overlooked and pleasant as she was, I wouldn’t want to mess with Laura!

Laura’s enticing stand

The massage balls are on my Christmas list

The next Wortley Hall Wedding Fayre is on the 26th January 2020. Might see you there? It’s always a fun fayre!

Ooohhhhh

Chocolate

Oh go on then

Open wide

I think my face says it all

I sampled the Turkish Delight which is out of this world as well as Cherry Italia, mmmmmmm

Enjoying a well earned cup of the strong stuff

After all that ice cream

Chandelier

above some vintage suffragette artwork

Inspiral

The gorgeous architecture at Wortley Hall

NOEWA - North of England Wedding Awards

I had a great time playing for the gala dinner at the North of England Wedding Awards at York Racecourse on Monday night. This event at the start of the season is a real highlight and an opportunity for people throughout the wedding industry to congregate and basically have a good old shindig celebrating their achievements. It’s lovingly organised by Liz Clark of The Wedding Guide and she certainly knows a lot of people in the business. Liz and her team work tirelessly to ensure an entertaining evening and getting The Wedding Guide magazine through the post with my advert in it is something I look forward to twice a year. Thanks Liz!

Last year was my first experience of the awards. This year, a bit wiser, I was less fazed by the vast sprawl of the Voltigeur Suite glamorously glitzed up for a gala evening. I had my music stand light with me so I could actually see my notes without being dazzled by the bright lights directed at the stage.

Photo by Nikki Pix Photography

I’d prepared a setlist just for the event with some of my favourite background music for a spotlight performance. I started my set with the main theme from Back to the Future which I learnt for a fab wedding in June (thanks so much for your request Nikki and James - it’s a keeper!) I thought it was appropriate to include one of Lewis Capaldi’s greatest hits, Someone You Loved, seeing as I worked with Manchester Camerata at Capaldi’s gig at Croxteth Park in August (scroll down if you’d like to read more about this memorable performance.) I also included a seasonal favourite, Have Yourself a Merry Little Christmas. I wanted to show that harp music isn’t just for weddings, just in case anyone thought I’d lost the plot. Music enhances every occasion and I played a variety of different styles of music reflecting different moods. I carefully selected familiar music that people would recognise - I like to think there was something for everyone.

I thoroughly enjoyed playing on Monday night. I was completely focused and in the zone and I think my performance went down well. It’s hard to gauge that with around 200 diners but I was delighted with how it went. I realised I’ve come a long way in 12 months in confidence and my understanding of the wedding industry.

If you were there on Monday night and you enjoyed my performance, why not book me to play at your special event? Christmas is coming and harpists aren’t just for weddings! And if you’re reading this blog, you may have worked out how much I enjoy the written word so do get in touch if you’d like me to do some blogging, writing, editing or copy for you.

October Wedding Fayres

I’ll be playing at the following fayres this month:

6/10 - Oulton Hall, Rothwell, Leeds

13/10 - Wortley Hall near Sheffield

Me at Wortley Hall

20/10 - Queens Hotel, Leeds

Come and say hello and tell me what music you’d like me to play just for you!

A blooming marvellous wedding

A perfect position to play Pachelbel’s Canon in D

surrounded by a few of my favourite things - books and blossom, and my Camac harp of course

I played for Emily and Josh’s gorgeous intimate wedding at Wortley Hall yesterday. I met Emily at a wedding fayre at Wortley Hall last year which she attended with her mum and her sister. A beautiful friendly dark brunette, Emily looked stunning in her amazing dress. She appeared magically at the wooden double doors before walking down the aisle after her bridal party.

I spy

That’s lovely Laurie at the far end. A key member of the Wortley Hall wedding team, there she is, efficiently ensuring everything’s in place before the ceremony

Emily wanted a combination of pop music that’s been featured in films like Twilight and Disney animation, as well as traditional classical music for her civil ceremony. This took place in the lounge, which was ornately decorated with gloriously oriental blossom trees. Her guests entered the room and I played some atmospheric background music as a backdrop for conversations between Emily’s family and friends as they awaited her arrival. The harp is the perfect choice if you want unobtrusive wedding music that’s soothing and uplifting.

For her entrance, Emily chose the timeless classic, Canon in D by Pachelbel. It’s an excellent choice to walk down the aisle as it’s calm and ceremonious, solemn yet rousing.

After the official ceremony came the signing of the register and the photos. It was the perfect opportunity for me to play Emily’s requests, A Thousand Years and Beauty and the Beast. You can listen to clips of all these pieces of music and more by clicking here:

The ceremony drew to a close and I played Allegro Maestoso by Handel for Emily’s exit with Josh. Celebratory and joyful, it’s a great choice as an exit piece. It was also performed at Princess Diana’s wedding so it’s got to be a good tune! It’s a significant moment, the first part of their journey as husband and wife, and choosing an optimistic upbeat piece of music is a good move. They walked out of the lounge directly onto the gardens, which looked like this:

Is it any wonder I love playing here?

The gardens are in full lush technicolour bloom right now. Doesn’t that giant shrub look a bit like a cake?

Beautiful dahlias

in the carefully tended gardens

Hearty artichoke plants

in the well stocked borders

Congratulations to the newly weds - wishing you every happiness for your future together!

LABOUR OF LOVE

Nikki and James

I haven’t had time to blog for quite a while. I attended a family funeral in Wales a fortnight ago and I’m still catching up with all the backlog after that visit. I’m nearly there and today will be spent replying to emails and sorting out some social media content. Sometimes I wish I had a PA! My laptop contracted some sort of nasty virus and it got slower and slower throughout June. Despite my attempts to cure it with help from the big G, my increasing frustration got the better of me and I took it to the MacDoctor last Friday. I must admit those hours without it were bliss. On Thursday evening I wanted to throw it out of the window and join the circus. I do try but tech definitely isn’t my forté.

I’ve taken on some extra shifts at the shop which means time has been even more scarce this week, but it’s good to be busy and out and about meeting some lovely local people. With this fine weather, I’ve been out run-walking a lot more and enjoying the scenery right on my doorstep - isn’t West Yorkshire just amazing?

Idyllic setting

with dappled shade

I played for an extra special wedding at the end of June. If you follow me on social media, you may have seen a few photos and I’ve included a few more with this blog post.

Atmospheric

The pond

I met Nikki and James at a wedding fayre last year at Wortley Hall. They were absolutely lovely and a bit quirky - my kind of people. They had quite an unusual request as exit music at the end of their civil ceremony - the main theme from the iconic 80’s movie, Back to the Future (BTTF).

Beautiful Bows

The ceremony room at Wortley Hall

You know me. I love a challenge and I’m particularly keen on 80’s music too. I think it’s brilliantly written. It’s interesting both harmonically and melodically and a lot of it works really well on the harp. I couldn’t remember how the BTTF theme went, so I listened to it when I got home. My initial thoughts were that it was fast but where there’s a will there’s a way and I’m not one to relinquish a challenge. James sent me links to some recordings as well as the piano sheet music, which I downloaded and printed off. I chipped away at the dots on the page for a few weeks, eventually slimming it down to a unique three page REH version I felt worked for the harp while retaining the features of the original music. I wanted the excitement of a whooshing DeLorean and Michael J Fox in a baseball jacket. Without his deafening guitar of course.

Labour of Love

It makes sense to me

Ten days before their wedding, Nikki, James and I set up a WhatsApp video call. They were in Cheshire while I was sat in my harp room and I was able to play them what was almost the finished version of BTTF. To my relief, it was met with approval, and I knew I still had time to make some last minute adjustments.

A long break

meant I could walk around and take in the stunning scenery. I’m no photographer but is it any surprise Wortley Hall is one of my preferred venues?

On the wedding day, I warmed up using BTTF to get me in the zone. Nikki wanted the traditional bridal march to accompany her entrance. I know that like the back of my hand, so I could focus on getting BTTF to sound good in the ceremony room. Nikki walked in with stunning simplicity and it was a very touching ceremony. Her father’s readings of two Shakespeare works made me blub a bit and I had to pull myself together! After all, I still had BTTF to play after I’d performed some classical favourites for the signing of the register and while they were having their photos taken.

Harp and chandelier

in the stunning Foundry Dining Room

I had another opportunity to play BTTF as Nikki and James had asked me to play it again as they walked into the Foundry Dining Hall at Wortley Hall where they were having their wedding breakfast. Now I know this piece works for the harp.

Do any of you lovely couples out there want me to play it, or any similar music, at your wedding? Feel free to get in touch! Click on the contact page if you have any special music requests for your ceremony.

EVERY wedding should have ice cream!

I managed to retain myself

Natural beauty everywhere you look - Wortley Hall Gardens

Freedom

Freedom - Just Like That! Image - John Steel Photography

It’s been another busy week here at Rhian Evans Harpist HQ. As the week has progressed, I’ve noticed I become more and more of a night owl. I’ve always been a late nighter ever since my days as an orchestral musician. It’s a job that demands that I’m at my peak between 7-10pm and I think that’s become ingrained. I’m most efficient in the evening and my best practice certainly happens at this time. More recently I’ve become an early morning person too, and I love a siesta! By Thursday night, supper time often happens after 11pm. I won’t even tell you what time bedtime is!

As a freelancer, every week is different and the past 10 days have meant that yesterday, a Thursday, was my day off. It’s usually a Tuesday but this week I had a few meetings to fit in. To cut a long story short, I find routines dull and difficult and I enjoy the variety a freelancer’s life offers. This means that occasionally, I’m unable to reply to emails and calls straight away but I always get back to anyone that’s interested in booking my services as a harpist and harp teacher. If you don’t hear back from me within 36 hours, there’s something seriously wrong!

Last night I started practicing at 6pm after another intense shift at the shop where I work part time. I hadn’t touched the harp since Sunday and yesterday I was asked to help restock the freezers. It’s one of my least favourite tasks as my hands take ages to thaw out afterwards, even with double gloves. I was feeling tired and a bit stale, so I decided to work on music I love for which I have a soft spot. After a creaky start, I felt myself free up, get into the zone and embrace the ebb and flow of the music. I could have kept going for hours. The increasing feeling of freedom was delicious and I felt reassured that I could still play. Gone are the indulgent days when I could easily rack up 4-6 hours practice without batting an eyelid. Like all musicians, practice doesn’t pay but performances do, so ideally we have to play for a minimum number of hours just to maintain the quality of sound and build confidence, and continue to play competently.

On Sunday I had a video call with a lovely couple whose wedding it is a week today. I can’t wait to play for them and their guests, and the unique piece of music they’ve chosen for their exit after their civil ceremony has met with their approval. Phew! This is a relatively new option I offer to couples if it’s an unfamiliar piece of music. It’s taken me a while to find ways to make the piece work on the harp but I’m pleased with the result. I think it’s recognisable. I might even make a short sound clip of it soon. So if you have a special request you’d love to have me perform for your wedding ceremony, go ahead and ask. Not everything works but I always try to accommodate your special requests given enough notice. And of course, the best way to listen to my harpbeat is at a live performance or wedding fayre.

The weather’s better isn’t it? And today marks the official start of Summer. Whoopee!

Wishing you a wonderfully warm weekend with lashings of delicious music!

Rhian Evans Harpist

Freedom

To Hull And Back

Humber Bridge - am I the only one who sees harp strings?

It’s been another busy week here at Rhian Evans Harpist HQ. It was great to get away last weekend and be in orchestral harpist mode once again for a couple of days. I made a guest appearance with the Hull Philharmonic, playing the harp part for the hauntingly beautiful and challenging Viola Concerto by William Walton.

Velvet toned violist Tim Ridout took centre stage with authoritative humility. His performance featured some beautifully poignant characterful playing. The sturdy musician-ship of the Hull Phil was ably steered by Andrew Penny and it was an exciting performance. I realised I haven’t performed with orchestra since February and I felt a bit disorientated at first. I gradually allowed myself the spaciousness to absorb the multi-sensory experience of working within an unknown ensemble of musicians in the stately splendour of Hull City Hall. Feeling more relaxed by the second rehearsal, I really could get used to that role again, one I fell in love with at the tender age of 15 when I first played with Clwyd Youth Orchestra. Those were the days!

I had quite a scary moment at the end of the rehearsal when I couldn’t find my car keys despite emptying all my bags and pockets thrice. I dashed down to the security desk where Nick, the super friendly security guard handed them to me with a knowing look. The bench provided wasn’t adjustable so I went to the car to get mine. I was already in harpist mode and, preoccupied by thoughts of music, left my keys in the car door. Lucky me! Hull City centre on a Friday evening isn’t such a bad place after all!

Duck plant

Garden bed-side at Wortley Hall

On Sunday, the wedding fayre I’d been looking forward to didn’t quite go as I’d intended. I’d hoped to meet dozens of clients as excited and enthusiastic about my music as I am. My morning started well, with two sets of clients I met at the most recent Wortley Hall wedding fayre, who had come to finalise their music choices. Other than a little interest for 2020 and 2021, it was a bit of a damp squib despite the glorious weather.

Wisteria hysteria

at Wortley Hall. Artichoke plant in the foreground

People drifted past as I played to my harp’s content, and my music seemed to have little or no effect on them. Perhaps they’re drafting their enquiry emails as I type. Or maybe I need to buy a guitar and take singing lessons. I know from experience these things can take time and I’m optimistic I’ll get a couple of bookings eventually.

Idyllic car park

Wortley Hall just visible through those amazing trees

It was lovely to work with Wedding Fayres Yorkshire again, who ensured proceedings ran smoothly as always. I’m extremely grateful to Paris Tyrell of WFY who, with lightning speed, generously filmed and uploaded a short videoclip of me playing A Thousand Years to Instagram. I then shared it to Facebook so I’m learning slowly but surely. It might eventually make its way to YouTube. It hasn’t gone viral yet but it certainly looks like I’m down with the millennials. Well, as down with them as a 40 something harpist can be.

I’m generally an optimist and I prefer to look at the bright side, but I admit I’m struggling musically at the moment. I have no paid playing work until mid June, a thought that worries me. I’ve sat down and done some rough calculations and as it stands, I’m not breaking even with my harp performance work. I’m afraid I’ve lost a bit of motivation too, possibly due to this. I’m a teeny tiny individual trying to integrate a gigantic competitive hungry industry, and therein lies my problem. I don’t have the business acumen or financial backing necessary to kick start my wedding business in this day and age. This has led to me losing my musical mojo momentarily. I’m not commercially driven in the slightest. I love to play, and trying to build my business has taken me so far away from my playing that I scarcely practice anymore, let alone play for my own pleasure. I haven’t touched the harp since last Sunday, and I don’t like that one bit. I’ve taken on an additional 10 hours of shop work this week to secure June, and having that work is an absolute blessing. It keeps me sane and in the black.

Obsessed with music

Bloody rusty wrought iron treble clef from a recent walk run

One thing I’ve found to be an excellent substitute for performance and sharing my music is exercise. It must be the adrenaline and the endorphin rush that follows. In a similar way to practice, it’s awkward and uncomfortable at first, but after a while I find my rhythm, and there are even moments I enjoy feeling my body jiggling about, my feet slamming the tarmac vigorously. Having been told I don’t have a runner’s physique, I’m honouring the rebel within. I love the freedom, power and independence running offers me. Besides, it’s far healthier than some other options available!

Next week I’m off and if I have time, I’ll be putting my version of an out-of-office sign up here. I’m going AWOL and I can’t wait. I desperately need a change of scene to gain some clarity about my situation and perhaps some inspiration regarding a way forward. So there’ll be no blog post next week as I’m turning off my laptop and letting it gather dust for a few days.

See you again in June, and remember to keep loving live music! And maybe even living love music - think about it…

Wortley Hall skyline

Creative unblocking

Playing

Today is Thursday, and it’s music day! Thursdays are usually free days and I try to fill them with as many notes as I can fit in. Today, dear readers, I just haven’t been in the mood. I’ve succumbed to several seductive distractions and I’ve felt very tired, a feeling I’m convinced is down to the meteorological conditions. The weather outside is frightful, don’t let it snow. (There’s almost always a tune or twenty going on in my head!) I try to fight my fatigue by urging myself to practice. This usually follows a walk, or a bit of a run or some sort of time spent outdoors, but I don’t like getting wet and cold! Jumping in the pool for my aquafit classes ticks that box and provides the bracing boost I need to infuse my day with positive energy. I don’t have time to go to the pool every day, so I can’t wait for some sunshine so I can feel the embrace of the great outdoors again.

I have a busy weekend ahead with more playing than I’ve done for quite some time and my fingers are a bit sore. In an instinctive mood this morning, I played through two steadfast cornerstones from my solo repertoire slowly from memory to warm up and was reassured that it didn’t all sound hideous. Interestingly, the pieces sounded quite fresh. A note to my students reading this - practice has a knack of doing that! You can work like the devil and it may feel like your playing’s getting worse, but great music takes time to mature. I can convince myself that I’m the worst harpist ever if I haven’t racked up a certain number of hours’ practice during the week, which can lead to a downward spiral of no practice at all or a negative approach. Cultivating a healthy sense of responsibility is a useful tool here. So for example, I’ve got a performance/lesson coming up - how do I want to feel and what’s the process I need to implement in order to feel that way? Used well it can provide a healthy motivation. Used poorly it can be a tool for self flagellation and guilt. It’s our choice.

I have a LinkedIn account and I get email notifications from them on a regular basis. This morning’s email opened like this - “It’s not what you know, it’s who you know”. Those words fill me with sorrow and I’ll be deactivating my account as soon as I have time. I genuinely believe the best advertisement is word of mouth and from recent experience, the word of the mouth of the moment, social media, is no great shakes, at least not the way I’m doing it! There has to be a better way and I’m working on it…

I gave an interesting lesson on Monday. It reminded me how fortunate I am to have an abundance of knowledge and experience, and I’m determined to put my skills to good use. I have a very creative mind which can run riot if I’m not careful in channelling it. I think most creatives are wired similarly. The trick is harnessing that energy by becoming attuned to its ebbs and flows.

I played for an ultra chic wedding last weekend at a spectacular venue. It was like something out of a luxury bridal magazine. Unfortunately I didn’t take any photos to show you here as I had quite a lot on my mind. My car exhaust broke late on Friday afternoon, and I got it back just in time for my departure on Saturday morning. My Satnav won’t update so I was trialling an app on my mobile while carefully keeping half an eye on my Satnav, switched to silent, for some form of visual guidance. Needless to say, I arrived at my destination with plenty of time to spare - I’m always aware that incidents like the M62 drama yesterday can happen at any time. It reminded me of a wedding I was playing at a few years ago. I went to pack my car which looked lopsided. I soon realised I had a flat tyre. With the clock ticking, I called my breakdown company, and the mechanic came quite quickly considering it was a Sunday morning. My tyre was fixed and I got to the wedding just in time. I’m often criticised for leaving super early for professional engagements and this is precisely why. I’d rather be there with time to spare for a nap in my car and a coffee than be rushing or, heavens forbid, be late. There ought to be a name for this phenomenon, like Freelancer’s Fear. There probably is, I just don’t know about it. If I’m late or I don’t arrive, I won’t get paid!

This weekend I’m climbing back into the old orchestral saddle and although I feel underprepared by my standards, I’m really excited about playing a beautiful orchestral work and being part of a bigger group of musicians again. Preparing for it has reminded me of my love and passion for orchestral playing and I do feel some sorrow and regret that fewer opportunities come my way these days. I’m on an exciting journey! I’ve enjoyed the discipline of the preparation and the immersion into the music that’s required for a solid performance. I’m nowhere near where I’d like to be with it but I know it’ll be more than good enough. Like one of my teachers Germaine used to say, “On ne peut pas être au four et au moulin”…

Wishing you a great weekend, hopefully with a few more radiant rays of sunshine. Perhaps I’ll see some of you at the Wortley Hall Spring Wedding Fayre on Sunday. I can’t wait to share my harpbeat with you!

Me, Rhian Evans Harpist

at Wortley Hall. Image - John Steel Photography

Wortley Hall Wedding Fayre - Will I See You There?

RHIAN EVANS - HARPIST

listen to my harpbeat

Short and sweet

Unlike many of my blog posts, tonight I’m keeping it brief. It’s a busy fortnight and with a flying visit to Manchester tomorrow and probably another visit to a gallery for inspiration on Sunday, this home loving country lass will have experienced the hustle and bustle of one too many cities this week. I’ve let the train take the strain a couple of times and I’ve enjoyed the more meditative journeys. I’m looking forward to spending more time pottering around the house and getting mucky in my garden as soon as weather permits.

Image by Glix Photography

I had a great day at the Storthes Hall Park wedding experience last Sunday. Playing for three staged ceremonies was a novelty, and it was great to be reminded what a thrill it can be to take part in someone’s special day. As always, the best bit was meeting other suppliers as well as some lovely brides and grooms. I’ve had no bookings as yet and these things can take time. If you were there and you enjoyed my music, remember that the Storthes Hall Park discount is only valid until 5th of May, so get in touch this weekend!

This weekend I’m playing for a private wedding event so that will keep me pleasantly occupied as well as getting me out of the house again. Ever the optimist, I had my Summer tyres put back on today. The exhaust needs some work too, so a return visit has been booked in for next week. Cars are a necessary evil in my line of work. I couldn’t do without mine. One bonus is visiting the garage. I love it there! It’s as old school as you can get and has an enviable location beside the stream in the village. I never mind if I have to wait a short while as they deal with other customers - I’ve seen a dipper busily flitting up and down the water on past visits. I love listening to C&P’s stories and today was no exception. They’ve both just been on holiday and I was deliciously regaled with best bits. We share a distaste for our throwaway culture and the current climate in this country, and we shared an enthusiastic rant about them.

Have I mentioned I’m going on holiday? It’s my first proper holiday in 4 years and I’m well excited. Look at this:

Not quite scorchio

But it will be

All may well be revealed and I can’t wait. I’m sure there’ll be a holiday blog post or two, but I’m not taking this laptop. It’s back to pen and paper, and I will read at least one book while I’m away.

On Tuesday I met my sister in Leeds for dinner. She was in North Yorkshire for a conference and it was the ideal opportunity for a short sweet catch up. We met at the fabulous Tetley in the quiet heart of Leeds.

Boules!

Salem in the background

I’m looking forward to going back there, perhaps for a wedding. I’d love that! There’s a sense of playfulness about the Tetley that’s quite intoxicating, and the art deco interior reminds me of atmospheric old movies.

Next Sunday is the eagerly anticipated Spring Wedding Fayre at Wortley Hall. It’s organised by those lovely people at Wedding Fayres Yorkshire this time, and I can’t wait to play at one of my favourite venues. Will the ducks be around I wonder? Also next weekend, I have the first orchestral work I’ve done in quite a while, so I’m busy practicing and learning the score. It’ll be a lovely gig and I do miss orchestral playing. I’m sure I’ll take to it again like a dipper to water! I’ve been learning some new wedding repertoire and I’ll be recording excerpts to share on my Soundcloud channel next week. Have you subscribed yet? Please do, I’d really appreciate your support. Here’s the link:

Dear readers, I wish you a fun-tastic sun-tastic Bank Holiday weekend!

The road

Repertoire List

I’m often asked for a list of music I play for weddings and events. Below you will find a list of my main repertoire:

MUSIC FOR WEDDINGS, FUNCTIONS AND SPECIAL EVENTS

Classical Collection

Welsh Traditional – Llety’r Bugail                                                           (entrance/exit)

George and Ira Gershwin – Embraceable You                                                (entrance)

Wagner – Bridal Chorus from “Lohengrin”                                                   (entrance)

Pachelbel – Canon in D                                                                                      (entrance)

Delibes - Flower Duet from Lakmé                                                                  (entrance)

Mendelssohn – Wedding March                                                                                (exit)

Clarke – Prince of Denmark’s March (Trumpet Voluntary)                          (exit)

Handel – Allegro Maestoso (Hornpipe)                                                                    (exit)

Mozart – “Such Chiming Melodious” from “Magic Flute”                                    (exit)

Beethoven - Ode to Joy                                                                                               (exit)

(Titles in bold above are suggested processional and recessional pieces for your ceremony.  If you want pop music, that’s fine too)

J S Bach – French Suite No 6

Debussy – Arabesque No 1

Arne – Largo

Rousseau – Minuet

Mozart – Minuet in F

Galuppi – Sonata in D

Field – Nocturne in Bb major

Hasselmans – Rêverie

J S Bach/Grandjany – Etude No 6

Cras – 2 Impromptus

Arne – Gigue

J S Bach – Prelude in C major

Tournier – Quatre Preludes

Satie – Gymnopedie No 1

John Thomas – Bugeilio’r Gwenith Gwyn

John Thomas – “Summer” and “Autumn”

Clarke - Chaconne

Haydn – Gavotte Gracieuse

Challoner – Allegretto

Bochsa – Etudes

Calon Lân – Welsh Hymn

Traditional Welsh Melodies

(The above are all suitable for the arrival of guests and the signing of the register, as are some of the following)

Timeless Collection

André/Schwandt - Dream a Little Dream of Me

Arlen/Coates – Over the Rainbow

Armstrong - Portuguese Love Theme (Love Actually)

Aznavour - She (Notting Hill)

Bernstein – Somewhere (West Side Story)

Bloom – Fools Rush In

Elton John - Can You Feel the Love Tonight (Lion King)

Des'ree - Kissing You (Romeo+Juliet)

Fain – Secret Love

Garner – Misty

Garner – Dreamy

Gershwin – Love Walked In

Gershwin – S’Wonderful

Gershwin – But Not For Me

Gershwin – Somebody Loves Me

Gershwin – Bidin’ My Time

Gershwin - Summertime

Gershwin – Embraceable You

Gordon – Unforgettable

Horner - For the Love of a Princess (Braveheart)

Jones - Come Away With Me

Kern – Smoke Gets in Your Eyes

Lai - Theme from Love Story

Lane – Everybody Loves Somebody

Lanjean – Forbidden Games

Lynn - White Cliffs of Dover

Mancini – Days of Wine and Roses

Maxwell – Ebb Tide 

Mercer – Dream

Mercer/Mancini – Moon River

Porter – Night and Day

Previn – You’re Gonna Hear From Me

Rodgers - Bewitched

Rodgers – My Funny Valentine

Romberg – Lover Come Back to Me

Sondheim – Send in the Clowns

Suessdorf – Moonlight in Vermont

Weiss/Shearing – Lullaby of Birdland

Young – When I fall in Love

Can't Help Falling in Love (Elvis - Blue Hawaii)

City of Stars and Mia and Sebastian’s Theme (LaLa Land)

Modern Collection

Abba - Fernando

City of Stars and Mia and Sebastian’s Theme (LaLa Land)

Christina Perri - A Thousand Years

Cyndi Lauper - True Colours

Duran Duran - Save a Prayer

Ella Henderson - Yours

Eric Clapton - Wonderful Tonight

George Michael - Careless Whisper

Sam Smith - Stay With Me

Stevie Wonder - Signed, Sealed, Delivered, I’m Yours

- If it’s Magic

Vanessa Carlton - A Thousand Miles

These are some of my favourite pieces which work really well for the harp.  I learn new music for weddings and events all the time.  If there are any pieces you’d like me to play which are of special significance to you, please feel free to ask.  Just remember, I need 6 weeks notice to learn your special requests!

Wortley Hall Wedding Showcase

“Playing at promotional events is key to the success of any freelance musician. Read on to find out about my latest experience at Wortley Hall near Sheffield”

Chandelier

My harp beneath

I was invited to play for the Wortley Hall wedding showcase last Thursday evening. My relationship with this warm soulful place goes back quite a few years by now and I jump at any chance to play there. The staff are brilliant! They’re helpful and friendly in an unforced natural way and they go to great lengths to ensure that each wedding runs smoothly.

My excitement escalates when I approach the quietly spectacular structure of weathered golden stone. Pulling up outside the main building, the views over the grounds and the adjacent sprawling countryside are breathtaking. This truly is a fine example of Yorkshire at its best.

My heart leapt when I spotted my welcoming committee in the dappled shade of the yew trees:

Walking my harp through the hotel’s Ruddy Duck restaurant, I spied a pair of brass duck head bookends. Wortley Hall is a sanctuary for these feathered friends. They in turn lend an element of playfulness to their stately home.

If you read last week’s blog post, you might have detected a hint of ennui at the whole rigmarole of much of the wedding fayre business. Not so at Wortley Hall. I consistently get bookings from playing at their fayres. The harp is definitely right at home here.

I’ve played for lots of ceremonies in this unique hotel, and live harp music always goes down a treat, whether it’s for the civil ceremony and drinks reception, or the wedding breakfast afterwards in the glorious wooden splendour of the Foundry Dining Room with its ornate ceiling and gigantic chandelier. There’s a relaxed homely grandeur about Wortley Hall which I love. At the most recent Fayre in January, I had a quick look at the refurbished rooms upstairs in the heavens. They’re like little romantic nests tucked away in the antiquated eaves. Wortley Hall is the perfect place for a secret escape from it all.

Just like that - the atmospheric splendour of the Foundry Dining Room

The atmosphere at the wedding evening was peaceful and intimate. There was none of the hustle and bustle of dozens of suppliers promoting their wares to customers hungry to discover the latest wedding trends. I was one of only three suppliers. The others were Keith Woods Entertainment, who provided the floral arrangements, transforming the ceremony room into an exotic garden of paradise with the bountifully laden boughs of their blossom trees. Creative photographer Eternal Photography was the man behind the lens, or rather beside his photos. He definitely takes better photos than I do, but hopefully you get a feel for this beautiful location from my snaps.

For this event, I decided to take a slightly different approach from what I usually do at commercial fayres. I played what I wanted to play. A risky strategy? Maybe, but if I’m enjoying myself, there’s more chance my audience will enjoy themselves too. Don’t get me wrong! I love my wedding harp repertoire and I could play Mendelssohn and Wagner for a Thousand Years, or at least ‘til the ducks come home, but I was in the mood for something different that evening. And so were my audience from the feedback I got. Doing it my way could be the way forward…

Atmospheric

The gardens at dusk

Night time statue

“I’ll be recording some short sound clips (and maybe more) from March onwards. Keep checking in to listen to my harp beat!”

FAYRE ENOUGH

You cannot be serious!

Last night/this morning, I’ve had about 3 hours sleep. I’m in the throes of a creative phase and I have a billion ideas burgeoning busily and noisily in my head. I’ve had quite a frustrating time trying to get involved in more and more wedding fayres so that I can meet all you lovely brides and grooms who would like to book my wedding services but can’t find me for one reason or another. I’ve pushed beyond my comfort zone and contacted and reconnected with local venues within West Yorkshire without success. Despite several efforts I’m greeted with the reply that makes my heart sink - “We’ve already got a musician”, or a hefty charge in excess of £200 to go and work at a fayre. Anyone who knows me will know I’m not work shy and I’m happy to invest in something that will reap rewards, but after enquiring on a forum for harpists and, most importantly, within myself, wedding fayres these days aren’t the viable investment they used to be for harpists. The return simply isn’t high enough. There’s always someone who will do the work for less money in what is a niche market, relatively speaking. Understandably, everyone wants a bite of the apple. When you book me, you do get a highly personalised professional service. I have skill, experience, knowledge and expertise (I trained intensively for 11 years) - it isn’t just me rocking up with my harp and playing your favourite music. Most importantly, I genuinely care and I love my job!

I’ve experienced a fair (!) bit of interest at fayres but unless I take a deposit on the day, there’s only a small percentage of clients who actually pursue their initial enquiry to eventually end up booking. It would seem that the way forward is focusing on developing my online presence. A search engine ad? A social media advertising boost? Signing up with agencies? A sleek slick shiny brochure for clients to take home and show their nearest and dearest? New publicity photos and videos? Which one of these risky time consuming costly endeavours should I choose? If there’s something you would like more of, please don’t hesitate to get in touch - all suggestions welcomed! And if you know someone who would benefit from me playing at an event, do pass on my details!

I think my plan of action will become clear as I move through my year, and seeing as I’m quite an old fashioned girl at heart, word of mouth will play a major role. For now I’m focusing my energy on doing my new part time job. Did I tell you I’ve got a job? I started in January and it’s been one of the toughest learning curves of my life but I really am loving the stability and security it offers me and I can only see positives. It definitely beats almost falling asleep on the motorway round midnight after 2 or 3 days of orchestral work. The reality is that, financially, I’m probably better off doing my part time job. Don’t get me wrong - I’m not saying no to orchestral playing, which I miss very very much, but I haven’t found a way for it work for me yet this season. My focus now is on developing my presence locally. That and getting a few hours practice in. This week, I’ve managed a deliciously giddy hour. I thrive on four hours a day which is unrealistic nowadays, but I’m very optimistic there’ll be a quieter week in the near future when I get on top of learning and digesting so much new information.

“What’s your new job Rhian?” I hear you all ask? Check in during the next month to find out more. There are some exciting events coming up which I would never have imagined and which I can’t wait to share with you…

Behind the scenes - getting creative. All images - John Steel Photography. With heartfelt thanks to Wortley Hall for their generous support in allowing me use of their spectacular hotel

The Fun of the Fayres

Rhian Evans Harpist having fun. Image courtesy of John Steel Photography

The atmospheric ceremony room at the Manor House

I’ve had great fun playing at three separate wedding fayres recently and I’ve met some really lovely people. The first fayre was at the Manor House in Lindley, a beautiful bijou boutique hotel on the outskirts of Huddersfield. It was extremely well attended and I was provided a prime position in the ceremony room so that potential clients could see the impact the harp could have as they walked through the main doors and so they could visualise their ceremony. I was really pleased that the level of interest was very good. Wedding fayres can be tough, tiring and unrewarding if there’s no engagement and this hasn’t been the case at all in either of the fayres I’ve exhibited at so far this year. My music isn’t everyone’s cup of tea and the services I offer could be considered niche, but I know there’s a demand for wedding harp music and 2020 is already looking healthy. It’s a question of finding my clients, and my clients finding me.

The Foundry Dining Room at Wortley Hall

It can take months for clients to contact me again as they sort all the other wedding details out. Occasionally, I can get bookings on the day. This was the case at the last fayre I did at my beloved Wortley Hall. I just can’t get enough of that venue. There was a warm relaxed atmosphere and I was in a great position next to two other gorgeous suppliers who made it a fun fayre. Check out Lara Croft Photography and Posh Petals Flower Preservation. I took advantage of the mid afternoon lull and went for a stroll upstairs. The rooms are lovely and there’s just such a gorgeous feel to the place. If I got married, I would do it there. Except I probably wouldn’t as I wouldn’t want any fuss, so it would have to be Vegas (I’d settle for somewhere nearer too) with a small ice cream party and a virgin Bloody Mary to celebrate the tying of the proverbial knot. This is my blog and I’m allowed to be as imaginative as I like! I met a gorgeous quirky couple who found each other online. They’ve thrown down the gauntlet with a weird and wonderful request for their exit music. Game on!

I would like to clarify that I’m unbiased. I love all the venues I work at! It’s a question of finding a venue that ticks your boxes and you’ve usually done that way before you meet me anyway. Live music is so important though. I felt a bit intimidated when I found out the Manor House had an Ibiza saxophonist exhibiting. She had wonderful exotic publicity photos and some amazing video clips. She’s called Ellie Sax and she’s a really lovely girl. She does what she does brilliantly with such enthusiasm. I have no idea how she can coordinate playing, dancing and maintaining such a genuinely radiant smile all at the same time. I’ve tried (not the dancing obviously) and it isn’t a look that works for the wedding service I offer. She’s also a DJ! Between us we agreed on how we could make our music work within adjacent rooms. When she blasts that sax, boy is it memorable! I asked her if she spends much time in Ibiza, and she goes there regularly. Ibiza harpist anyone? In any case, I had nothing to worry about as we both provide totally different services within the same sector of the industry. It was interesting to discover that we trained at the same establishment, the RNCM in Manchester.

Never far from a chandelier (and a dance floor) if I can help it

The other fayre I played at was Bertie’s, another local venue between Huddersfield and Halifax. It was meticulously organised by those lovely people at Wedding Fayres Yorkshire. I’ve played at a couple of weddings and a private function here and it’s another great venue. It was fairly quiet (Football? Weather?) but I had some interesting conversations with couples, some of whom were researching suppliers for their weddings in 2020 and even 2021. I like that level of preparation! I met a lovely Irish lady and her fiancé. She was quite overwhelmed when she heard my music. I think it touched something inside her and she started crying when I played a particular piece of music. I don’t like making people cry but these were good tears. I’m reassured when my playing moves people because it means I’m doing my job, that I’ve played music that resonates for them. At each fayre, I made one woman cry. That emotion is what it’s all about and it’s what keeps me doing what I do. I get a buzz when my music touches someone and I really don’t think that’s something that can happen by watching a video or listening to sound clips. It has to be a live experience. It must be visceral, otherwise the impact isn’t the same.

My stand in the Foundry Dining Room at Wortley Hall

If you’re thinking about having harp music at your wedding, please do follow my Facebook and Instagram pages (you can find links on my homepage) to keep informed about the fayres I‘m playing at, and come and say Hello and find out more about what I can offer you on your wedding day. Oh, and do ask me about your favourite music - you never know…!